“iFucked Babylon” James Deutsher---Good Press & Fritz Welch present MARBLES IN MY MOUTH---An end to all this water Virginia Overell



“iFucked Babylon”  
James Deutsher
Minerva Sydney
16 September — 22 October, 2016 
text response 

A sprayed image of a terminator crossed with Ichthyostega on an extra long t-shirt sold by the ocean side Cuttlefish shaped flip fone pager  make up mirror shaped as shell straw hats exploitative oceanic imagery on old postcards in the veratrine they walk out of the museum a massive ex mall as super advanced bio-tech avatars float by nearly missing an antique unique brown pigment decorated batik banner for maritime workers featuring schools of fish eating a bigger fish
The starfish and the snail
      They board the train at a stop within the museum, the tracks still greased in cakey pomade unease fills the carriage a close up of the boxy table between the leaks
                                      Wrestling the tablecloth exposing a green shiny (but with bumps) skin unfamiliar to their oxidisation        reminding us of Lurchi boots  Kit Lee etc maybe                                           serviette folded like DNA modules
               stretched beats from internet lag              fish        roe      peas     turkish delight      rust barnacles areola    skin tone chart        blue skin krishna         purple lollies
Files and watches sit on the table a still shot zoomed out on, to show it as a platformed photograph, imagine if the train platforms informed the content… or platform the media was hosted on. Collars on the k9 agents that make the choice for no one to get off here. Ramping sound turns to static rumble making the conversation impossible to hear, the train comes out of a tunnel into full sun the ozone filtered through a light purple halogyne film.
AUM x Supreme (truth) collab  pink tracksuit clumped hair in the drain    skies above seats on the underground trains    Lurchi Salamander sits back reading a newspaper a folded    serviette in her pocket     next to a roase   snails Althusser  pee an oh keys ring out lightly over the footage
         snail peanuts    sunflower     flagen      snlass war (snail class war) Dicks out for Althusser marxbot3000      first class seat reclines it’s light down it’s side illuminated blue like krishna     a vlogger make his way down the carriage talking about conquests in guttural expressions, the train makes it’s way into a spiral loop, forcing the vlogger into a seat and sik content, the train darts in and out of the water  now on an endless bridge across the seas a toddler’s pipe hangs from lip                                making out snail sex     beyond politics mesh     I fucked Babylon and I liked it      but in  patois    a police helmet hermit crab   cricket  octopus’ hearts flipper t-shirt     bio tech “be oh” euro pronunciation  kappa steals the children into the lake     cockel    hanzaki, an aggressive salamander that grabs its prey with its powerful jaws the now extinct  Japanese  river otter    bee pollen    as seen from a distance       otters have been known to stand upright       carpet sample   and a drunk    frightened or hallucinating person may think they are seeing         a humanoid entity and not a wild animal     rusty paper money     wind up poochie  hotel night stand     Egyptian god falcon-headed deity mother SCOBI      a wind up train crosses the tablecloth coupling the sheet        the table a spear fished perturbance by a Archibald Haddock like silhouette, the light at the depth of floorboard cut apart     in cut out panels       an arm outstretched       under several layers like cake       tiers       pink silicone marbles strung like olives roll about the floor space in air above the underside of the carriage      dark rain plops into the waves
   yoyo yung turks red pill blue pill          blush    land     black stars on red        donut chaise lounge
   backstraps                  He pisses in his mouth at the party       Nick Land cameo coconut TV    slap band
He dives in head first to a pile of sheets     in hampers     or on desks              ruffled like a gown
thinking but acting thinking too        arch   arse   horse   manner  Sattva Gudhagara
feudal misogynists fascist teenage dungeon masters neo reactionaries Bitcoin wallets searching for supermarket trolleys on ebay
                                        Objective monochrome
                                                                             A café neon
The train pulls into a station not to far away like a wet boot in primeval slime Jeffery saunters past          a miniature train runs on the projection though obviously a simulation through a parallel direction the train is caught in an actual hand and becomes a sub       a mixture of infomercial and depressive documentary    it pops up without prompt, streamed from a dust cloud clutched like monkey/baby fingers a g shock gleams like a goiter on their wrists
                       Finger yoga (like tech decks)                          food snuck in pants
Above the restaurant a CEO hands coated in rings buzzers going off at different tones a 2155 callander on the wall with cute cats and hands, bodies out of frame
     Crowded fetish                                            firm flesh
A soft sorrow      the right hand side they grabbed our knee          moment of glitter not fixed       in the light     a light at the end of a tunnel      troglobites hover scampering   up the edges of the walls
witches hats dunces             Harry Potter WWII conspiracy theories                           yachts and ocean liners mix in the bright sun                               gargoyles edging tin finish marbled oil spills form rochshark on rudders in seaweed                                                               the light glistens in champagne bubbles spurted amongst the clouds
urine sprays off the side of the lil boat                    harboured in the shadows half illuminated  pictures on the carpet of chaos stars mixed with amebas or some crustaceans       sand grains making up 30% of the carpets bio stock          a flock of stork pigeon and albatross fly over head towards cliffs embedded in gemstone                                      airs whisper in Nyoongar dialect the train is one stop closer
a orange ladybird nibbles on scarabe like aphids on the rose in her pocket             ship ham radio frequency patterns interact with hump back whale’s mating calls           seed beds and tiny- shrimp ripped out of the coral by behemoth bovines scatter debris   
caught by the light refracted through piss droplets the sun making its way via the conduit to the deep shelves of bone.
Upriver from the mouth between the cliffs frogs, toads, newts, salamanders, axolotls, snakes adders, and yabbies merge in a pallet upturnt semi blocking the waters flow                        vectorial capitalism                bluntend a ruff diamonds or onyx grafted hidden within their tooth the stuff of dreams crab like insigner or is it a cloud blots in sweat below their round cartoony breasts (roshak symmetry) a workout video plays on an antique DVD player threaded into an oil powered projector                                                               this house pon the  fork in the tracks the last that existed of atlantis, rome, nyc, all combined cites had given up walking                    and lasagned themselves collapsed into carparks without roads                     maybe all maybe “A” shaped shoes      a tail        white crop top        with an ank printed in silver upon,       pants, tattoo of Shoko Assahara.    An office  gives way to loving glances       trains fall up                         

                              fire engulfs the oil coated seas          armour of amor tails LEDs
                                               fancy horderves in beaten tin        roses          cockles         turtles         timepieces


Extra references




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Good Press & Fritz Welch present
MARBLES IN MY MOUTH

03.09.16 - 28.10.16
Good Press Glasgow
Collage responses


 
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23rd Sep 2016 – 22nd Oct 2016 West Space 
                                     Text response along side Aurelia Guo and Helen Hughes 


full..............................................................................................................................  buckets   emptied................................................................................................................over  the  edge   to  be  replaced......................................................................................................by  fuller  ones  
 cascading...................................  an  answer  to  the  empty  space  puddles  in  the  corners  pulled  up  socks   mids  left  leaning  speakers  barometer  out  of  touch  with  it’s  sides  a  little  boat/yacht  type  vessel  her  eyes   leaking  plop  petals  in  the  clear  vase  canoeing  through  an  icy  lake  a  city  on  fire  puffs  post  internet  green  juice   dead  angel  fish's  head  pokes  out  of  the  sand,  flies,  saline  crust  wells  a  gondola  on  its  side  cinematic   timelapse  a  tooth  the  donut  world  syphones  water  cracked  and  dried  out,  a  sinkhole  prolapse,  a  singlet,   signet, margins.........................................................................................................................   anexity  of  spelling  anxiety  .....................................................Blue  blonde.....................................   mild  breeze.............................................................................................................................  
 ............Pteris  Korean  Rock  Tassel  Hand  Button  Baby  Tears  capitalise  on  opportunity  on  shaky  grounds   ...........................................................................................................................................   bipartisan  of  sweet  and  salty  bubble  inflatables  lead  globe  bloodied  face  veil  humidity  crops  hollows  a  safe   space  built  on  a  cemetery  prison  labour  mines  helmets  glass  suitcases  under  the  sea  floating  buoys  border   forces  hidden  in  frog  suits  menacing  one  filed  down  nail  nibs  blood  shoot  retina  beautiful  lines  spread  from   the  periphery  inward  Mariele  Neudecker  fish  tank  trees  ice  sculpture  suffocating  a  moon  skipped  over  nike   air  dunks  in  air;;  J  Koons  and  YBA  guy  ‘like’  but  with  the  glass  removed  cupboard  placed  with  outlines  the   tools  overhang  an  arched  tooth  like  fern  firm  hands  coupled  to  hold  juice  dripping  filthy  guides  to  hold  in   action  stressed  at  the  outcomes  stressed  as  the  hold  falls  apart  but  the  hold  was  liquid  all  along  dumb   humans  formaldehyde  burn  them  all  in  flame  retardant  prisons  pause  the  cobbled  bone  masses  falling  down   freely  without  snags  marker  curving  out  in  curly  flicks  folded  over  under  and  through  a  pattern  so  skronky  it   holds  no  remark  everything  with  wheels  absolutes  and  after  thoughts  small  fibre  combs  filled  musky  oils   barcodes  with  their  malice  clenched  and  caked  in  grime  chewed  up  pen  caps  windows  high  up  in  the   metropolis  covered  in  post  its  7up  cup  peach  nurofen  Jurgen’s  teller  spewing  bills  of  multiple  denominations   I  don’t  hate  it  the  wind  the  hail  the  natural  powers  pushing  sucking  making  us  pay  for  our  mistakes  I  don’t   buy  into  it,  the  world  will  go  its  way,  I  hope..............................................  pluto  hangs  from  zipper  tripod   ecco  terror  monochromatic  mesh  stuck  together  peices  of  tape  fibrous  leaf  weave  bucket  blocks  large   hallway  fire  safety  stick  map  by  door  West  Indies  cragley  forms  algae  moss  mold  of  a  ship.  Online   marketplace  micro  anarcho  economies  an  entire  magnitude  weighing  on  us  sunk  in  a  tarp  breathless   grapefruit  foil  casing  tissue  paper  pasted  on  windows  camera  equipment,  shed  jacket  exposing  its  orange   inner  cream  coloured  pant  trust  issues  specifics  of  crisis  malfunctions  on  the  level  of  money  expressions  of   much  deeper  systemic  dynamics,  deth,  sunk.  Part  of  our  collective  self-­emancipation  is  demystifying  the   operations  of  capital  on  all  levels.  A  gridded  guide  for  liquidation  notes  on  currency  doodles  on  cheques  a   painting  of  crippled  bodies  drowning  in  choppy  ebbs  petticoat  maple  leaf  social  needs  wolfhound  passport   code  unknown  jasmine  tulips  willow  cover  hypoallergenic  dust  jacket  iron  fillings  bolts  screws  plastic  slips   dragon  tails  ear  bud  moats  chair  back  leg  rest  linen  silk  carbon  dark  chocolate  oil  film  organic  falling  through   toffee  thorns  candlestick  cleaver  late  term  purse  strings  body  trauma  phantom  water  bodies  signals   emergency  mindcontrol  aliencraft  brain  scan  sonar  wall  collapse  lower  socioeconomic  devices  orange   mouth  crow's  feet  in  peaces  protective  house  anklet  passive  top  pointer  outlet  box  cutter  mild  mannered   mice  toad  oaf  cuts  cracks  falling  free    flightless  bell  flower  neptune  screen  captures  of  signs  and  warning   flings  of  fancy  spurts  and  this  let  out........Bossy  broken  bread  libertarian  forms  pockets  of  fish  in  a  broad   raincoat  seal  on  the  ziplock  hong  kong  air  circumzenithal  arc  stepping  back  repression  stonewort  fear  of   punishment  criticality  as  non  solid  form  formal  containment  as  space  for  solidified  political  thought  metal   detector  frog  with  robotic  legs  intersectional  realities  steps  between  minds  now  and  then  in  fractured  waves   of  clarity  bouncing  like  poppets  prancing  like  wet   insurgency...........................................................................................   ........................................................................................................................................