Soundwwwalk composition
There is a lot of room for improvisation, load
and remove as you see fit, if something is still open and you want to play it
in some capacity that’s fine.
The start of things; load these two ambient
generator
PLAY THIS WHILE LOADING, much around as a
layer at times for a little, record play back, strum etc, over the top as well
fiddle with settings
Air conditioner
Play a bit of each track
then
Crazy VHS Effects Vol 2
Good for jumping numbers
click on tracking press 0 four times 5
second intervals (click on track first)
wait a bit and then
Non-Newtonian Fluid Dubstep
&
then command click a few Birds frogs, go
crazy with this to rupture the dubsteps
then the next youtube clip while clicking
on a lot of the birds and frogs, also repressing play on the open ones till
bored
press 7ish of the squares of tone matrix
OSSITY #4 - KLAXING
FLUXION
start closing all other windows except worst nightmare track and tone matrix
op of Form
thenth
Bottom of Form
Crazy VHS Effects Vol. 3
Number jumping mr bean
Between 6-7
bring in
Depression Treatment subliminal binaural beats music
maybe drop the scary ambient windows slowly
wait a tick and add some command clicked
guinea pigs sounds
guinea pigs
and play around with this
wait bring in
pink noise, ajust volume a little down
play and loop noises, drag and drop this
into a new tab
bring down volumes, exit all sounds/windows
slowly for fade out
again be playful about it leave/repeat etc
what........
*SOUNDWWWALKS
Soundwwwalk performances are an emerging genre of live browser-based sound performances where plugin sound-collage meets multitab mixing, shamelessly blending the traditions of acoustic ecologies, pro-surfing and laptop performance. The artists take the audi
Soundwwwalk performances are an emerging genre of live browser-based sound performances where plugin sound-collage meets multitab mixing, shamelessly blending the traditions of acoustic ecologies, pro-surfing and laptop performance. The artists take the audi
ence
on a sonic detour through the World Wide Web. All performances follow
the Soundwwwalk One-Line-Manifesto: "All sound sources must be played in
a browser, must not be self-produced and must be publicly accessible".
This event will feature performances of new Soundwwwalk compositions by
Christopher LG Hill (AUS), Andreas Miranda [NL] and Antuong Nguyen
(AUS). Co-curated by Bernhard Garnicnig and Jared Davis.
$5 at the door. Limited capacity. No bookings.
Thursday 2 August 2012, 8pm
West Space, level one, 225 Bourke Street, Melbourne
More info: http://soundwwwalk.net/
$5 at the door. Limited capacity. No bookings.
Thursday 2 August 2012, 8pm
West Space, level one, 225 Bourke Street, Melbourne
More info: http://soundwwwalk.net/
Live performance of new web based composition, August 2nd at Westspace
Soundwwwalk performances are an emerging genre of live browser-based
performances where improvisation meets plugin sound-collage and
multitab mixing, shamelessly blending the traditions of acoustic
ecologies, pro-surfing and laptop performance. The artists take the
audience on a sonic detour through the World Wide Web.
A Soundwwwalk considers the act of surfing the World Wide Web as a form of sonic action in the networked space of the Internet, a place where multitudes of sound sources, sonic events and acoustic phenomena converge. All performances follow the Soundwwwalk One-Line-Manifesto: “All sound sources must be played in a browser, must not be self-produced and must be publicly accessible.” The artists perform their Soundwwwalks in person on stage or transmit the notation, sometimes in real time, to a local interpreter operating the browser.
The performance series was initiated in 2009, inspired by the world wide web becoming the largest possible library of sonic artefacts and recordings, considering any sound and video file uploaded to the web as potential but fluctuative material for sonic ideas and actions.
A Soundwwwalk considers the act of surfing the World Wide Web as a form of sonic action in the networked space of the Internet, a place where multitudes of sound sources, sonic events and acoustic phenomena converge. All performances follow the Soundwwwalk One-Line-Manifesto: “All sound sources must be played in a browser, must not be self-produced and must be publicly accessible.” The artists perform their Soundwwwalks in person on stage or transmit the notation, sometimes in real time, to a local interpreter operating the browser.
The performance series was initiated in 2009, inspired by the world wide web becoming the largest possible library of sonic artefacts and recordings, considering any sound and video file uploaded to the web as potential but fluctuative material for sonic ideas and actions.
Upcoming
August 2 at Experimenta Melbourne with Andreas Miranda, Antuong Nguyen and Christopher LG HillPast
06/2012 at Code Of Contingency, 319 Scholes, Brooklyn New York03/2012 at SPSounds with NIMk, SMART Project Space, Amsterdam
11/2011 If Not Now – Royal College of Art, London
09/2011 ISEA2011 Istanbul (Panel)
11/2010 iMAL Brussels
11/2010 WORM Rotterdam
05/2010 MQ Wien
Artists
Michael Pollard, Joel Holmberg, Peter Moosgaard, Will Schrimshaw, Julian Palacz, Jamie Allen, Bernhard Garnicnig, Constant Dullaart, Ceci MossBooking/Contact
bgarnicnig at gmail dot com**new unrelated studio work (;


